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X-WR-CALDESC:Events for Museum of Contemporary Art Toronto Canada
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DTSTART:20180311T070000
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DTSTART:20181104T060000
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20190126T110000
DTEND;TZID=America/Toronto:20190126T123000
DTSTAMP:20260407T104336
CREATED:20190114T162311Z
LAST-MODIFIED:20190114T165336Z
UID:12629-1548500400-1548505800@mocalegacy.webpreview.site
SUMMARY:Workshop | Create clay sculptures with OSC resident artists\, PA System
DESCRIPTION:“Imagine a dream\, desire\, goal\, aspiration\, need\, resolution or hope that you have for yourself and mould it as a miniature.” \n\nPA System art collective invites everyone to help create part of the ongoing work Resolution (Mass of Clarity).\n\n\nWithin the Art in Use space at MOCA you are invited to sculpt the representation of a dream and make your imagination tangible.\n\n\n  \nThis event does not require additional tickets or registration and is open to all. Stop by and participate in the creation of this exhibition.\n\n\nPhoto courtesy of PA System.
URL:https://mocalegacy.webpreview.site/calendar/workshop-create-clay-sculptures-with-osc-resident-artists-pa-system/
LOCATION:MOCA Toronto\, 158 Sterling Rd.\, Toronto\, Canada
CATEGORIES:Community Event,Programming
ATTACH;FMTTYPE=image/jpeg:https://mocalegacy.webpreview.site/wp-content/uploads/CalendarEvent_PA_JAN9.jpg
ORGANIZER;CN="MOCA%20Toronto":MAILTO:info@mocalegacy.webpreview.site
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20190125T190000
DTEND;TZID=America/Toronto:20190125T210000
DTSTAMP:20260407T104336
CREATED:20190118T194817Z
LAST-MODIFIED:20190118T194817Z
UID:12747-1548442800-1548450000@mocalegacy.webpreview.site
SUMMARY:Art Metropole: Nacre Journal - Issue 1 Launch
DESCRIPTION:Join Art Metropole for the launch of Nacre Journal – Issue 1: We Regret to Inform You \nFeaturing presentations by Joshua Escobar\, Brennan Kelly\, Lauren Lavery\, and Anastasia Kolas\, and video screenings from Jessica Wilson and Ian Burnley. \nDoors 6:30 PM\nEvent 7-9 PM \n________ \nVideo Voicemail: \nJoshua Escobar a.k.a. DJ Ashtrae is the author of Caljforkya Voltage (No\, Dear/Small Anchor Press) and XXOX FM (DoubleCross Press\, 2019). Bareback Nightfall\, his first full-length collection\, is forthcoming in 2020 from Noemi Press and Letras Latinas. A CantoMundo fellow\, he publishes Orange Mercury and lives in San Bernardino. \nLive readings:  \nBrennan Kelly is a Toronto-based visual artist\, writer\, and designer. He received an MFA in studio art from the University of Guelph in 2018. His work has been exhibited and featured in publications throughout North America. \nLauren Lavery is a Toronto-based visual artist\, writer and editor of the exhibition review magazine Peripheral Review. Her writing has been published by LUMA Quarterly\, Public Parking\, Peripheral Review\, and has written texts for Y+ Contemporary and Xpace Cultural Centre in Toronto. She has exhibited in Vancouver\, Winnipeg\, Toronto and Cambridge\, ON. She holds a BFA with honours from Simon Fraser University’s School for the Contemporary Arts in Vancouver. \nLecture-performance: \nWe Regret To Inform You \nBorn in Minsk\, Belarus\, Anastasia Kolas is a visual artist based in Toronto. She is the editor and founder of Nacre Journal. Through spatial installation\, sculpture and lens-based media Anastasia traces image residue: her practice engages with accumulative effects of globalized aesthetic production as it is metabolized within locally configured environments. Anastasia holds Film/Video MFA from Bard College and Fashion Design BA from Ryerson University. \nThrough the live presentations: \nVideo: Jessica Wilson – Emergency (1) – loop \nJessica Wilson’s work draws on methods used for architectural renderings\, medical animation\, game design\, cinematography\, and visual effects\, developing computer generated characters and places. The environments she builds are textured with images she takes from the physical\, virtual\, mental and emotional worlds that she inhabits. Her work calls into question the notion of the invisible and the immaterial\, asking if it is possible to reconsider seemingly invisible forces and the physical effects they have on a body. Jessica Wilson (b.1991) lives and works in NYC. \nScreening: \nIan Burnley “1972\, Signing Off”\, video\, 16 min\, 2015 \nIan Burnley is an artist and experimental filmmaker living in Queens New York. A native of New York City\, he was born in 1985 in Manhattan\, and was raised on Staten Island within a multiracial family; black and Polish. He received a BFA from The Cooper Union for the Advancement of Science and Art\, and an MFA from the Milton Avery Graduate School of the Arts at Bard College. Ian is currently a faculty member at the School of Visual Arts\, New York City\, primarily teaching video and film courses at the undergraduate level. \n“Forgery” is a process in which sleight-of-hand and camouflage are used to recreate the identity and provenance of a subject in order to subvert and replace it. This definition of forgery operates as a framework in Ian Burnley’s recent moving-image works. He often begins by finding an interview in an out-of-date newspaper or magazine and work with actors to re-imagine this outmoded conversation by transposing it from the past into a contemporary setting; printed words are voiced once again by living subjects. The uncanny\, sometimes humorous re-embodiment of the original text is an invitation to viewers to reevaluate their own understanding of the source material\, as well as the relationship between historical time\, narrative conventions and authorship. The scenes described in his films and videos are moments in which nothing seems to fit neatly together at all. \n______ \nDonation cash bar.\nPrint magazine copies for sale. \nArt Metropole is located at 158 Sterling Road\, on the ground floor of the Museum of Contemporary Art\, which is fully accessible. If you have any concerns about accessibility\, please contact us at info@artmetropole.com. \n______ \nJournal online: https://nacre-journal.com
URL:https://mocalegacy.webpreview.site/calendar/art-metropole-nacre-journal-issue-1-launch/
LOCATION:Art Metropole at MOCA\, 158 Sterling Rd.\, Toronto\, Ontario\, M6R 2B2\, Canada
CATEGORIES:Art Metropole
ATTACH;FMTTYPE=image/jpeg:https://mocalegacy.webpreview.site/wp-content/uploads/49899395_10155807982561574_8875051219941326848_o.jpg
ORGANIZER;CN="Art%20Metropole":MAILTO:info@artmetropole.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20190125T170000
DTEND;TZID=America/Toronto:20190125T200000
DTSTAMP:20260407T104336
CREATED:20190118T195523Z
LAST-MODIFIED:20190118T195523Z
UID:12751-1548435600-1548446400@mocalegacy.webpreview.site
SUMMARY:On Sterling Bingo (Open house/Scavenger hunt)
DESCRIPTION:Come by one of these Sterling Road locations and pick up a map and join us for an evening scavenger hunt of open studios. Get your map stamped at all 5 arts spaces and you can redeem it for a complimentary beverage at Henderson Brewing Co. \nParticipating Organizations: \n\nMOCA Toronto – 158 Sterling Rd\nBrothers Dressler – 225 Sterling Rd #16\nRepetitive Press – 227 Sterling Rd. #103\nFLY WITH ME Aerial Dance – 163 Sterling Rd. Unit 113\nHouse of Anansi Press – 128 Sterling Road\n\nCome and explore the neighbourhood.
URL:https://mocalegacy.webpreview.site/calendar/on-sterling-bingo-open-housescavenger-hunt/
LOCATION:MOCA Toronto\, 158 Sterling Rd.\, Toronto\, Canada
CATEGORIES:Community Event
ATTACH;FMTTYPE=image/jpeg:https://mocalegacy.webpreview.site/wp-content/uploads/49402049_2164200600497904_445667199865061376_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20190118T190000
DTEND;TZID=America/Toronto:20190118T190000
DTSTAMP:20260407T104336
CREATED:20190103T183448Z
LAST-MODIFIED:20190115T200530Z
UID:12591-1547838000-1547838000@mocalegacy.webpreview.site
SUMMARY:Artist Talk | Apolonija Šušteršič (Light Therapy)\, Aaron Labbé (LUCID)\, November Paynter (Artistic Director MOCA)
DESCRIPTION:How can culture and museums contribute to well-being in society? \nArchitect and artist\, Apolonija Šušteršič first installed Light Therapy in 1999 at Moderna Museet in Stockholm to explore how contemporary museums can act as a public space\, and as social spaces for wellbeing. \nBased in Toronto\, Aaron Labbé is determined to change the way we approach the treatment of mental health. Inspired by the lack of non-invasive therapy options\, Aaron created LUCID\, an immersive sensory experience that aims to help people cope with anxiety\, stress and depression\, as well as improve overall mental health. \nIn a conversation moderated by Paynter\, Šušteršič and Labbé will share their work and areas of concern\, and together consider how institutions can find ways to bridge disciplines and introduce ideas to improve public well-being. \nLight Therapy is the second project in the Art in Use series at MOCA. This year-long program presents works and public events that ask: Can art motivate social\, political and cultural change? What meaningful role does art play in our lives? How can we use it as a tool? \n  \nApolonija Šušteršič’s work is related to a critical analysis of space; usually focused on the processes and relationships between institutions\, cultural politics\, urban planning and architecture. Her broad-ranging interests stem from the study of space and continue its investigation into the social and political nature of our lived environment. She holds a PhD from the University of Lund\, Malmö Art Academy\, Sweden and is a professor in the Department of Art & Public Space art at Oslo National Academy for the Arts. She has participated in contemporary art institutions and events internationally. \nFor MOCA’s installation of Light Therapy\, we sought the advice of Aaron Labbé who has spent more than four years exploring non-invasive therapy options including light and sound. Labbé’s thesis project resulted in LUCID\, an immersive sensory experience designed to provide therapeutic support. LUCID is installed on Floor 1 of MOCA from January 18 – 27. \n#themuseumisnotwhatitusedtobe #lighttherapy #artinuse \nThis event is sold out! \nDepending on capacity\, there may be tickets available at the museum before the event.\nLUCID runs Jan. 18-27 and ‘Light Therapy’ is on view until April 30. \n  \n \nApolonija Šušteršič’\, Light Therapy\, 2018.
URL:https://mocalegacy.webpreview.site/calendar/talk-by-apolonija-sustersic-with-november-paynter-artistic-director-moca/
LOCATION:MOCA Toronto\, 158 Sterling Rd.\, Toronto\, Canada
CATEGORIES:Community Event
ATTACH;FMTTYPE=image/jpeg:https://mocalegacy.webpreview.site/wp-content/uploads/DSC_0141_edited.jpg
ORGANIZER;CN="MOCA%20Toronto":MAILTO:info@mocalegacy.webpreview.site
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20190102T130000
DTEND;TZID=America/Toronto:20190102T140000
DTSTAMP:20260407T104336
CREATED:20181206T171317Z
LAST-MODIFIED:20181206T171317Z
UID:12488-1546434000-1546437600@mocalegacy.webpreview.site
SUMMARY:Introduction to BELIEVE
DESCRIPTION:Tour with curator\, David Liss\nAt 1pm and 1:30pm\n\nJoin us for a 20-minute introductory tour. Meet on Floor 1 under Kendell Geers’ BE:LIE:VE installation.\n\nNo registration needed.\nPlease purchase your admission ticket in advance online.\n\n\n\n\n\n\n\n\nAbove: Kendell Geers\, BE:LIE:VE\, 2002/2018. Below: Andreas Angelidakis\, DEMOS – A Reconstruction\, 2018. Photo by Toni Hafkenscheid.
URL:https://mocalegacy.webpreview.site/calendar/introduction-to-believe-6/
LOCATION:MOCA Toronto\, 158 Sterling Rd.\, Toronto\, Canada
CATEGORIES:Community Event,Programming
ATTACH;FMTTYPE=image/jpeg:https://mocalegacy.webpreview.site/wp-content/uploads/Believe-Banner.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20181219T130000
DTEND;TZID=America/Toronto:20181219T140000
DTSTAMP:20260407T104336
CREATED:20181206T171040Z
LAST-MODIFIED:20181206T171159Z
UID:12483-1545224400-1545228000@mocalegacy.webpreview.site
SUMMARY:Introduction to BELIEVE
DESCRIPTION:Tour with curator\, David Liss\nAt 1pm and 1:30pm\n\nJoin us for a 20-minute introductory tour. Meet on Floor 1 under Kendell Geers’ BE:LIE:VE installation.\n\nNo registration needed.\nPlease purchase your admission ticket in advance online.\n\n\n\n\n\n\n\n\nAbove: Kendell Geers\, BE:LIE:VE\, 2002/2018. Below: Andreas Angelidakis\, DEMOS – A Reconstruction\, 2018. Photo by Toni Hafkenscheid.
URL:https://mocalegacy.webpreview.site/calendar/introduction-to-believe-5/
LOCATION:MOCA Toronto\, 158 Sterling Rd.\, Toronto\, Canada
CATEGORIES:Community Event,Programming
ATTACH;FMTTYPE=image/jpeg:https://mocalegacy.webpreview.site/wp-content/uploads/BELIEVE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20181210T103000
DTEND;TZID=America/Toronto:20190430T123000
DTSTAMP:20260407T104336
CREATED:20181205T161745Z
LAST-MODIFIED:20190326T202448Z
UID:12450-1544437800-1556627400@mocalegacy.webpreview.site
SUMMARY:Book the Light Therapy room | Available to Members
DESCRIPTION:April is the last month of Light Therapy! \nMondays and Wednesdays: 10:30-11:30am and 11:30am-12:30pm \nExposure to light is used as a treatment for seasonal affective disorder (SAD)\, milder winter blues and sleep disorders. Light therapy can improve our busy lives and make us feel happier. Visit once or as often as you need. Book the room for: \n\nMeetings\nBook clubs\nMeditation\nPrivate sessions\n\nLight Therapy reservations are only available to members. To become a member\, sign up online or visit us at the Welcome Desk at the museum. \nThe public can access Light Therapy during regular museum hours with the exception of any reservations Mondays and Wednesdays (10:30am-12:30pm). \nDrinks are permitted on Floor 4 for Light Therapy. \nHow to book the Light Therapy room: \n\nLight Therapy can be booked by MOCA Members for a 60-minute time slot at either 10:30am or 11:30am on Mondays & Wednesdays\nThe room can accommodate groups of 1 – 10 visitors\nEach visitor will need a general admission ticket to enter the museum\, tickets can be booked online or in-person. From Jan. 7 to Feb. 13\, museum admissions will be pay-what-you-can and donations can be made in-person.\nMembers (Access\, Engage\, Immerse) can access the booking form by logging into your account\nNew sessions will open one month at a time\n\n\n\nBook the Light Therapy room\nLearn more about Light Therapy\n\n\n\n\n\n\n\nApolonija Šušteršič\, Light Therapy\, 2018.
URL:https://mocalegacy.webpreview.site/calendar/book-the-light-therapy-room-members-only/
LOCATION:MOCA Toronto\, 158 Sterling Rd.\, Toronto\, Canada
CATEGORIES:Member's Event
ATTACH;FMTTYPE=image/jpeg:https://mocalegacy.webpreview.site/wp-content/uploads/DSC1491_edited.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20181207T190000
DTEND;TZID=America/Toronto:20181207T203000
DTSTAMP:20260407T104336
CREATED:20181115T152935Z
LAST-MODIFIED:20181122T152302Z
UID:12185-1544209200-1544214600@mocalegacy.webpreview.site
SUMMARY:Artist Talk | Kendell Geers
DESCRIPTION:Profoundly marked by his upbringing in South Africa during the Apartheid era\, Kendell Geers’ art often explores issues of social and political justice. BE:LIE:VE\, specially commissioned by MOCA for our inaugural exhibition\, is one of a number of his neon works that expose literal word plays that urge new ways to consider the complexities and paradoxes of language\, power and truth. \nThis is a free event with registration.\n \nEngage and Immerse member registration opens November 19.\nPublic registration opens November 21.  \nRegister here\nFloor 1 \n \n Kendell Geers\, BE:LIE:VE\, 2002/2018. Still from Member Preview September 2018. Image by Alexis Wood.
URL:https://mocalegacy.webpreview.site/calendar/artist-talk-kendell-geers/
LOCATION:MOCA Toronto\, 158 Sterling Rd.\, Toronto\, Canada
CATEGORIES:Community Event,Programming
ATTACH;FMTTYPE=image/jpeg:https://mocalegacy.webpreview.site/wp-content/uploads/MOCAlaunch_8.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20181205T130000
DTEND;TZID=America/Toronto:20181205T140000
DTSTAMP:20260407T104336
CREATED:20181029T163732Z
LAST-MODIFIED:20181115T214704Z
UID:12131-1544014800-1544018400@mocalegacy.webpreview.site
SUMMARY:Introduction to BELIEVE
DESCRIPTION:Tour with curator\, David Liss\nAt 1pm and 1:30pm\n\nJoin us for a 20-minute introductory tour. Meet on Floor 1 under Kendell Geers’ BE:LIE:VE installation.\n\nNo registration needed.\nPlease purchase your admission ticket in advance online.\n\n\nAbove: Kendell Geers\, BE:LIE:VE\, 2002/2018. Below: Andreas Angelidakis\, DEMOS – A Reconstruction\, 2018. Photo by Toni Hafkenscheid.
URL:https://mocalegacy.webpreview.site/calendar/introduction-to-believe-4/
LOCATION:MOCA Toronto\, 158 Sterling Rd.\, Toronto\, Canada
CATEGORIES:Programming
ATTACH;FMTTYPE=image/jpeg:https://mocalegacy.webpreview.site/wp-content/uploads/BELIEVE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20181130T193000
DTEND;TZID=America/Toronto:20181130T203000
DTSTAMP:20260407T104336
CREATED:20181126T160919Z
LAST-MODIFIED:20181126T161116Z
UID:12339-1543606200-1543609800@mocalegacy.webpreview.site
SUMMARY:Art Metropole: Discussion with Scapegoat editors and issue contributors
DESCRIPTION:Join Scapegoat Journal at MOCA and Art Metropole for the launch of our next issue! \nScapegoat Issue 11: LIFE\n\nArchitectural modernity is an emphatically secular modernity that imagines itself to have been recently liberated from an age in which architecture was a metaphysical discipline\, and whose architectural forms were constrained by the metaphysical requirements of the king or the church.\n\n \n\nToday\, architects do not see themselves as metaphysicians\, and yet there is unfinished metaphysical business at the core of the modern project that continually undermines this narrative of liberation. Hidden within the new rationalist core of architectural modernity is the old western metaphysical distinction between life and non-life — the living and the non-living — which in the 21st century has increasingly become a site of political struggle in the built environment\, linking struggles over reproductive rights\, environmental justice\, climate change\, archaeology\, and urban design.\n\n \n\nIn the LIFE issue we find evidence of architecture’s ongoing metaphysical work in the use of architectural building codes as a tool to limit women’s reproductive choices in Texas\, the US military’s conversion of the Aleutian archipelago into its own private radiation sensor\, the management of racialized ghosts in Indonesian squatter settlements\, the rise of neo-vitalist urbansim in Europe\, and the introduction of the logic of automation into burial practices in Tokyo.\n\n \nContributors include Alexander Arroyo\, Maros Krivy\, Rosemary Joyce\, Craig Damion Smith\, Will Fu\, Sanford Kwinter\, Noah Scheinman\, Larissa Belcic and Michelle Shofet\, Fan Wu\, Rouzbeh Akhbari and David Schnitman\, Micah Lexier\, Oliver Vilela\, Joe Culpepper\, Matthew Allen\, Michael Fisch and Erez Golani Solomon\, George Johannes and Lori Brown and Eliza McCullough\, and Adam Bobbette.
URL:https://mocalegacy.webpreview.site/calendar/art-metropole-discussion-with-scapegoat-editors-and-issue-contributors/
LOCATION:Art Metropole at MOCA\, 158 Sterling Rd.\, Toronto\, Ontario\, M6R 2B2\, Canada
CATEGORIES:Art Metropole,Community Event
ATTACH;FMTTYPE=image/png:https://mocalegacy.webpreview.site/wp-content/uploads/image.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20181128T130000
DTEND;TZID=America/Toronto:20181128T140000
DTSTAMP:20260407T104336
CREATED:20181029T163516Z
LAST-MODIFIED:20181115T214736Z
UID:12127-1543410000-1543413600@mocalegacy.webpreview.site
SUMMARY:Introduction to BELIEVE
DESCRIPTION:Tour with curator\, David Liss\nAt 1pm and 1:30pm\n\nJoin us for a 20-minute introductory tour. Meet on Floor 1 under Kendell Geers’ BE:LIE:VE installation.\n\nNo registration needed.\nPlease purchase your admission ticket in advance online.\n\n\nAbove: Kendell Geers\, BE:LIE:VE\, 2002/2018. Below: Andreas Angelidakis\, DEMOS – A Reconstruction\, 2018. Photo by Toni Hafkenscheid.
URL:https://mocalegacy.webpreview.site/calendar/introduction-to-believe-3/
LOCATION:MOCA Toronto\, 158 Sterling Rd.\, Toronto\, Canada
CATEGORIES:Programming
ATTACH;FMTTYPE=image/jpeg:https://mocalegacy.webpreview.site/wp-content/uploads/BELIEVE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181128
DTEND;VALUE=DATE:20181205
DTSTAMP:20260407T104336
CREATED:20181106T152334Z
LAST-MODIFIED:20181123T154405Z
UID:12180-1543363200-1543967999@mocalegacy.webpreview.site
SUMMARY:Screenings and Artist Talk | Nikolaj Bendix Skyum Larsen
DESCRIPTION:For over a decade Nikolaj Bendix Skyum Larsen has been working in a variety of media and materials to create visual responses to challenges within today’s society. Migration and disempowerment are some of his main areas of research. Larsen’s work can be understood as visual anthropology. His film Promised Land\, featured in the exhibition BELIEVE follows migrants in Calais\, France as they attempt the highly dangerous and near impossible task of getting into England. \n  \nScreening Program\nWednesday\, November 28 – Monday\, December 3 \nIn addition to his 3-channel film Promised Land included in the exhibition BELIEVE\, MOCA will program a selection of his recent works. \nArtist Talk\nSaturday\, December 1\, 3pm\nFloor 1 \nNikolaj Bendix Skyum Larsen introduces clips from some of his most recent works exploring issues related to current global migration crises. \nThe artist talk is free but requires pre-registration. \nMember registration starts November 7.\nPublic registration starts November 8. \nRegister here \n\n\n\n\n\n\nNikolaj Bendix Skyum Larsen\, Promised Land\, 2011. Image courtesy the artist.
URL:https://mocalegacy.webpreview.site/calendar/screenings-and-artist-talk-nikolaj-bendix-skyum-larsen/
LOCATION:MOCA Toronto\, 158 Sterling Rd.\, Toronto\, Canada
CATEGORIES:Community Event,Programming
ATTACH;FMTTYPE=image/jpeg:https://mocalegacy.webpreview.site/wp-content/uploads/Nikolaj-Bendix-Skyum-Larsen-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20181123T180000
DTEND;TZID=America/Toronto:20181123T200000
DTSTAMP:20260407T104336
CREATED:20181114T143632Z
LAST-MODIFIED:20181114T143632Z
UID:12262-1542996000-1543003200@mocalegacy.webpreview.site
SUMMARY:Art Metropole: The HIV Howler: Transmitting Art and Activism - Launch
DESCRIPTION:Please join Art Metropole on the ground floor of the MOCA on Friday\, November 23rd from 6pm to 8pm for the launch of The HIV Howler: Transmitting Art and Activism.\n\nThe HIV Howler: Transmitting Art and Activism is a limited edition art newspaper focusing on global grassroots HIV art and cultural production. The HIV Howler is a forum for dialogue\, a demand for aesthetic self-determination\, a response to tokenism\, and a guide to navigating the vibrational ambiguities between policy\, pathology\, and community.\n\nTo correspond with The HIV Howler launch\, featured artist Andrew Zealley will also be launching Infecting Postal\, a new series of four numbered postcards\, each in an edition of 100.\n\nThis launch will feature readings from Anthea Black and Jessica Whitbread\, and a discussion between Anthea Black\, Jessica Whitbread\, Mikiki\, Charles Long\, Andrew Zealley\, and special guests TBA!\n\nThe HIV Howler: Transmitting Art and Activism\, Issue 1: Criminalization-Medicalization\, Issue 2: Mentor-Mother\, and Issue 3: Sex-Pleasure will be available at the launch for $5 each.\n\nInfecting Postal postcards are available individually as well as in sleeved sets of four. Individual cards (#34-100) are priced at $5 each. Sets of four (#1-33) are $20.
URL:https://mocalegacy.webpreview.site/calendar/art-metropole-the-hiv-howler-transmitting-art-and-activism-launch/
LOCATION:Art Metropole at MOCA\, 158 Sterling Rd.\, Toronto\, Ontario\, M6R 2B2\, Canada
CATEGORIES:Art Metropole,Partner Event
ATTACH;FMTTYPE=image/jpeg:https://mocalegacy.webpreview.site/wp-content/uploads/HowlerSubscription-web-1.jpg
ORGANIZER;CN="Art%20Metropole":MAILTO:info@artmetropole.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20181121T130000
DTEND;TZID=America/Toronto:20181121T140000
DTSTAMP:20260407T104336
CREATED:20181029T163332Z
LAST-MODIFIED:20181115T214809Z
UID:12125-1542805200-1542808800@mocalegacy.webpreview.site
SUMMARY:Introduction to BELIEVE
DESCRIPTION:Tour with curator\, David Liss\nAt 1pm and 1:30pm\n\nJoin us for a 20-minute introductory tour. Meet on Floor 1 under Kendell Geers’ BE:LIE:VE installation.\n\nNo registration needed.\nPlease purchase your admission ticket in advance online.\n\n\n\nAbove: Kendell Geers\, BE:LIE:VE\, 2002/2018. Below: Andreas Angelidakis\, DEMOS – A Reconstruction\, 2018. Photo by Toni Hafkenscheid.
URL:https://mocalegacy.webpreview.site/calendar/introduction-to-believe-2/
LOCATION:MOCA Toronto\, 158 Sterling Rd.\, Toronto\, Canada
CATEGORIES:Programming
ATTACH;FMTTYPE=image/jpeg:https://mocalegacy.webpreview.site/wp-content/uploads/BELIEVE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20181117T153000
DTEND;TZID=America/Toronto:20181117T153000
DTSTAMP:20260407T104336
CREATED:20181106T151210Z
LAST-MODIFIED:20181110T225025Z
UID:12175-1542468600-1542468600@mocalegacy.webpreview.site
SUMMARY:Sound Performance | Jeneen Frei Njootli
DESCRIPTION:Jeneen Frei Njootli is a Vuntut Gwich’in artist and a founding member of the ReMatriate Collective. In her interdisciplinary practice she uses media such as performance\, sound and textiles. Much of her work deconstructs the history of the materials she uses. She investigates their relationship to trade\, ceremonial regalia\, and the politics of First Nations art. Her cinematic-scale photograph Knowledge Transference IV is included in MOCA’s inaugural exhibition BELIEVE\, and she is shortlisted for the 2018 Sobey Art Award. \nNjootli’s live sound performances are sonic landscapes; frequencies and living energies that carry knowledge\, information and stories related to her personal experience and the world around her. \nJoin us for a special performance on Floor 1. No registration required.\n \n  \n \nPhoto courtesy of the artist.
URL:https://mocalegacy.webpreview.site/calendar/sound-performance-jeneen-frei-njootli/
LOCATION:MOCA Toronto\, 158 Sterling Rd.\, Toronto\, Canada
CATEGORIES:Community Event,Programming
ATTACH;FMTTYPE=image/png:https://mocalegacy.webpreview.site/wp-content/uploads/Jeneen-Banner.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20181116T190000
DTEND;TZID=America/Toronto:20181116T203000
DTSTAMP:20260407T104336
CREATED:20181106T150603Z
LAST-MODIFIED:20181109T165908Z
UID:12170-1542394800-1542400200@mocalegacy.webpreview.site
SUMMARY:Artist Talk | Tim Whiten
DESCRIPTION:Tim Whiten is a Toronto-based creator of charged objects that embody myths and narratives\, bringing these stories alive and affirming their relevance to the times in which we live. \nWork by Tim Whiten is featured in MOCA’s inaugural exhibition\, BELIEVE. His incredible glass objects\, After Phaeton and Reliquaire\, embody narratives related to power\, belief\, continuity of being and understanding our place in the world. \nTim Whiten was born in Inkster\, Michigan and lives and works in Toronto. He is represented by Olga Korper Gallery. “I do not refer to myself as an Artist; I think of myself as an image maker who also creates cultural objects. In close to forty years creating works\, I have sought to navigate the territory of the human condition and its transformative potential.” \nWork by Tim Whiten featured in MOCA’s inaugural exhibition\, BELIEVE (on view until January 6\, 2019): \nAfter Phaeton\, 2013 \nHand-crafted crystal clear glass\, ionized glass\, brass fittings \nAfter Phaeton embodies the mythological tale of Phaeton\, son of the sun god Helios\, who begged his father to let him drive the horse-drawn chariot of the sun. In a daring act of arrogance\, Phaeton ignored his father’s cautionary warnings about the mighty powers of the chariot and crashed it into the earth\, setting the planet ablaze. While Whiten does not insist upon singular interpretations of his work\, After Phaeton can be understood in our current era as a lesson related to humility\, privilege and power. \nReliquaire\, 2012 \nHandcrafted crystal clear glass\, human skull\, gold leaf \nResembling the sacred architecture of a church or temple\, Reliquaire is a glass container that houses a human skull visible through a magnified lens. The skull\, as a container for the brain\, represents the locus of knowledge\, imagination and identity. Most often relics are the preserved remains of someone who may have achieved great and extraordinary things\, but the identity of this skull\, obtained through medical and academic sources\, is unknown. Whiten protects and elevates this “ordinary” person\, acknowledging that all of life is sacred and important. \nThis event is free but requires pre-registration. \nMember registration starts November 7.\nPublic registration starts November 8. \nRegister here \n  \n \nTim Whiten\, After Phaeton\, 2012. Photo by Toni Hafkenscheid.
URL:https://mocalegacy.webpreview.site/calendar/tim-whiten-artist-talk/
LOCATION:MOCA Toronto\, 158 Sterling Rd.\, Toronto\, Canada
CATEGORIES:Community Event,Member's Event,Programming
ATTACH;FMTTYPE=image/jpeg:https://mocalegacy.webpreview.site/wp-content/uploads/Tim-Whiten-Banner.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20181115T180000
DTEND;TZID=America/Toronto:20181115T200000
DTSTAMP:20260407T104336
CREATED:20181019T181034Z
LAST-MODIFIED:20181112T192326Z
UID:12073-1542304800-1542312000@mocalegacy.webpreview.site
SUMMARY:A Conversation with Rajni Perera
DESCRIPTION:Open to Engage and Immerse members \nGo behind-the-scenes of Rajni Perera’s Talisman\, currently on view in the exhibition BELIEVE. Members are invited to an intimate talk with Perera and a tour of the woodshop of her collaborator\, artist Yorgo Liapis\, right on Sterling Rd. Meet the artist and learn about the inspiration and creation of this artwork. \nAbout Talisman \nThe double-throne Talisman\, a collaboration with artist Yorgo Liapis\, is at once a retelling of history\, a speculative form and an object to be appreciated on its own. \nTalisman suggests opportunities to engage in conversations that ease or erase the gulf between conflicting beliefs across history and time. The work evokes the rebalancing of energies—a space between binary identities and viewpoints. It also references a divisive and destructive conflict between the ancient Egyptian cities Thebes and Amarna. \n  \nBios \nRajni Perera \nRajni Perera is a Toronto-based artist\, commissioned by MOCA to produce new artworks for the exhibition BELIEVE. Her works Talisman and Banners for New Empires\, can be seen on Floor 2 of the museum.  \nYorgo Liapis  \nCollaborator\, Yorgo Liapis is an artist and woodworker whose extensive portfolio traverses art and design\, creating sculptural works and design pieces with a focus on materiality and craftsmanship. He currently lives and works in Toronto. \n  \nEngage and Immerse Members: RSVP@mocalegacy.webpreview.site \nIf you are currently an Access member and would like to join\, contact membership@mocalegacy.webpreview.site to upgrade your membership. \nNot a member? Join here \n  \n \nRajni Perera\, Talisman\, 2018. Photo by Tom Sandler Photography.
URL:https://mocalegacy.webpreview.site/calendar/a-conversation-with-rajni-perera/
LOCATION:MOCA Toronto\, 158 Sterling Rd.\, Toronto\, Canada
CATEGORIES:Member's Event
ATTACH;FMTTYPE=image/jpeg:https://mocalegacy.webpreview.site/wp-content/uploads/MOCA-Sun-2ts-T-Sandler-0256_EDITED.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20181110T140000
DTEND;TZID=America/Toronto:20181110T160000
DTSTAMP:20260407T104336
CREATED:20181025T161826Z
LAST-MODIFIED:20181102T154348Z
UID:12088-1541858400-1541865600@mocalegacy.webpreview.site
SUMMARY:Green Screen Workshop with Andy Holden
DESCRIPTION:Artist Andy Holden introduces the influence of cartoon landscapes\, characters and scripts on the world of contemporary art and his practice in particular. Participants will have the chance to delve into his research for Laws of Motion in a Cartoon Landscape\, work on cartoon scripts\, make cartoon objects as props and then literally enter into the animated world via simple green screen technology.\n\nFree with admission\nAll ages \nPlease note\, Floor 5 is closed from 10am – 2pm for set up. \n  \nPhoto by Tom Sandler
URL:https://mocalegacy.webpreview.site/calendar/green-screen-workshop-andy-holden/
LOCATION:MOCA Toronto\, 158 Sterling Rd.\, Toronto\, Canada
CATEGORIES:Community Event
ATTACH;FMTTYPE=image/jpeg:https://mocalegacy.webpreview.site/wp-content/uploads/Andy-Holden.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20181109T190000
DTEND;TZID=America/Toronto:20181109T203000
DTSTAMP:20260407T104336
CREATED:20181025T163209Z
LAST-MODIFIED:20181102T154610Z
UID:12084-1541790000-1541795400@mocalegacy.webpreview.site
SUMMARY:'Laws of Motion in a Cartoon Landscape' | Andy Holden LIVE
DESCRIPTION:Through close observation of the adventures of well-known characters including Bugs Bunny and Wile E. Coyote\, artist Andy Holden has adapted ten laws of cartoon physics to create a theory of art and the world we now inhabit. The first of which is that “anybody suspended in space will remain in space until made aware of their situation.” Holden\, who first learned to draw by copying cartoons\, argues that the golden age of this discipline offered “a prophetic glimpse” into the world in which we live. Studying cartoons\, he suggests\, will help us better understand the events that are shaping our present day\, not least the moments of financial crisis and the recent election and referendum results. \nIn this special live performance\, Holden is transported into the cartoon-world via green screen technology. This leap into a series of familiar landscapes unfolds an astonishing journey through the history of animation\, critical theory\, physics and art\, before arriving at contemporary politics and Holden’s theory that the world has now come to resemble a cartoon. \nPrice:\nAdult: $15\nSeniors and Students: $10\nUnder 18: Free\nEngage and Immerse Members: $5 \nReserve your tickets here.\nLimited availability \nPlease note: Laws of Motion in a Cartoon Landscape will be closed Friday\, November 9\, in order to set up and rehearse for the evening performance. \nWatch the trailer for Laws of Motion in a Cartoon Landscape:
URL:https://mocalegacy.webpreview.site/calendar/laws-of-motion-in-a-cartoon-landscape-andy-holden-live/
LOCATION:MOCA Toronto\, 158 Sterling Rd.\, Toronto\, Canada
CATEGORIES:Community Event,Member's Event
ATTACH;FMTTYPE=image/png:https://mocalegacy.webpreview.site/wp-content/uploads/Andy-Holden_Laws-of-Motion-in-a-Cartoon-Landscape_Live_2018_1-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20181107T130000
DTEND;TZID=America/Toronto:20181107T140000
DTSTAMP:20260407T104336
CREATED:20181029T162118Z
LAST-MODIFIED:20181115T214851Z
UID:12117-1541595600-1541599200@mocalegacy.webpreview.site
SUMMARY:Introduction to BELIEVE
DESCRIPTION: Tour with curator\, David Liss\nAt 1pm and 1:30pm\n\nJoin us for a 20-minute introductory tour. Meet on Floor 1 under Kendell Geers’ BE:LIE:VE installation.\n\nNo registration needed.\nPlease purchase your admission ticket in advance online.\n\nAbove: Kendell Geers\, BE:LIE:VE\, 2002/2018. Below: Andreas Angelidakis\, DEMOS – A Reconstruction\, 2018. Photo by Toni Hafkenscheid.
URL:https://mocalegacy.webpreview.site/calendar/introduction-to-believe/
LOCATION:MOCA Toronto\, 158 Sterling Rd.\, Toronto\, Canada
CATEGORIES:Programming
ATTACH;FMTTYPE=image/jpeg:https://mocalegacy.webpreview.site/wp-content/uploads/BELIEVE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181026
DTEND;VALUE=DATE:20181030
DTSTAMP:20260407T104336
CREATED:20181019T133321Z
LAST-MODIFIED:20181019T133430Z
UID:12067-1540512000-1540857599@mocalegacy.webpreview.site
SUMMARY:Art Toronto
DESCRIPTION:Canada’s international fair for modern and contemporary art\, returns this fall in its 19th season. Visit MOCA at Booth 13 and learn about our programs\, view select artworks and become a member. \nArtworks on View: \n\nDEMOS – A Reconstruction by Andreas Angelidakis\n\n  \nArt Toronto highlights. Join us at: \n\nWest End Gallery Hop\nFriday\, October 26\, 6-10pm\nHop across 17 of the top contemporary galleries in Toronto’s west-end. Free and open to the public.\n\n  \n\nBreaking Ground: New Models of Engaging Audiences\nSaturday\, October 27\, 1pm\nNovember Paynter\, Director of Programs\, will be speaking as part of Art Toronto’s PLATFORM Speaker Series.\n\n  \nArt Toronto Opening Night  \nThursday\, October 25\, 2018: 6:30-10pm\nA benefit for the Art Gallery of Ontario \nClick here to purchase Art Toronto Opening Night tickets. \nHours \nFriday\, October 26: 12-8pm\nSaturday\, October 27: 12-8pm\nSunday\, October 28: 12-6pm\nMonday\, October 29: 12-6pm \nClick here to purchase tickets to Art Toronto
URL:https://mocalegacy.webpreview.site/calendar/art-toronto/
LOCATION:Metro Toronto Convention Centre\, North Building\, 255 Front Street West\, Toronto\, Ontario\, Canada
CATEGORIES:Community Event
ATTACH;FMTTYPE=image/png:https://mocalegacy.webpreview.site/wp-content/uploads/ArtTO_2018_lockup_horiz_white_black_RGB_20180704.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20181014T140000
DTEND;TZID=America/Toronto:20181014T160000
DTSTAMP:20260407T104336
CREATED:20180928T171144Z
LAST-MODIFIED:20181012T174004Z
UID:11893-1539525600-1539532800@mocalegacy.webpreview.site
SUMMARY:Cultivating Legibilities of Disagreement with The Department of Unusual Certainties\, Pamila Matharu\, and Public Studio
DESCRIPTION:2 pm-4 pm\nAll ages welcome\nFree courtesy of TD Bank Group (no registration required)\nFloor 4\nPlease arrive 15 minutes early \nThe Department of Unusual Certainties\, Pamila Matharu\, Public Studio explore disagreement in different disciplines including urban geographies\, pedagogy\, and architecture. \nRehearsing Disagreement \nHiba Abdallah and Justin Langlois Rehearsing Disagreement is the first project in MOCA’s Art in Use series on MOCA’s Floor 4. The project comprises of four participatory works that explore disagreement and conflict through the lens of art and within the structure of museum. Inviting visitors to share their lived experiences\, the artists present the argument that co-existing in difference is a generative part of our civic responsibility. \nAs an extension to their project a weekend program\, Cultivating Legibilities of Disagreement\, features participatory activities\, talks\, and workshops that frame the question: how does disagreement play a useful role in our everyday? By identifying the positive effects of differences\, participants can develop the skill of agreeing to disagree. \n  \nBios \nThe Department of Unusual Certainties is a multi-disciplinary studio who designs a collaborative process for engagement\, communication and education. \nIn 2010\, DOUC started as a result of a shared need to ask questions about our everyday existence. This curiosity continues to grow and has manifested over the years through projects that traverse urban design\, public art\, education\, cartography and social engagement. \nPamila Matharu (Birmingham\, UK\, 1973- ) is an immigrant-settler with an interdisciplinary practice as an artist\, educator\, and cultural producer. She engages close readings of gaps\, omissions and fissures of the unexamined intersectional life and the everyday. A graduate of Visual Arts and Fine Arts Education from York University (2002)\, she’s been grant recipient from the Toronto\, Ontario and Canada Art Councils and continues to contribute to Toronto artist-run culture community for over the past 24 years; that has primarily focused on artist-run cultural production\, advocacy\, and art-worlding. Her upcoming solo show One of These Things are Not Like the Other\, debuts at A Space Gallery\, March 15 – April 20\, 2019. \nPublic Studio is the collective art practice of filmmaker Elle Flanders and architect Tamira Sawatzky. Public Studio creates large-scale public artworks\, lens-based works\, films\, and immersive installations\, which focus on conflict and landscape in the everyday. \nHiba Abdallah is a text-based artist who often works with others to develop public installations\, projects\, and exhibitions about the narratives of place. Abdallah’s work cultivates a playful yet reverent sense of community that seeks to foster collective public imagination. \nJustin Langlois is an artist\, organizer\, and currently an Associate Professor and Assistant Dean of Integrated Learning in the Faculty of Culture + Community at Emily Carr University of Art and Design. His practice explores collaborative structures\, critical pedagogy\, and custodial frameworks as tools for gathering\, learning\, and making. \n  \nAccessibility: \nMOCA Toronto is a barrier-free and accessible museum for all. We are located on the first five floors of the Tower Automotive Building\, with elevators serving each floor. The museum has wheelchair and stroller parking as well as two walkers and wheelchairs available onsite for use. If you have other needs we should know about\, contact us at visitorexperience@mocalegacy.webpreview.site ahead of time to make any arrangements. \n  \n\n  \nHiba Abdallah and Justin Langlois\, Failing is a Matter of Perspective – Rehearsing Disagreement Commission\, 2018. Courtesy of Museum of Contemporary Art Toronto. Photo by Toni Hafkenscheid.
URL:https://mocalegacy.webpreview.site/calendar/cultivating-legibilities-of-disagreement-with-the-department-of-unusual-certainties-pamila-matharu-and-public-studio/
LOCATION:MOCA Toronto\, 158 Sterling Rd.\, Toronto\, Canada
CATEGORIES:Community Event
ATTACH;FMTTYPE=image/jpeg:https://mocalegacy.webpreview.site/wp-content/uploads/HA_0028.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20181013T133000
DTEND;TZID=America/Toronto:20181013T170000
DTSTAMP:20260407T104336
CREATED:20181003T153049Z
LAST-MODIFIED:20181004T173237Z
UID:11887-1539437400-1539450000@mocalegacy.webpreview.site
SUMMARY:Difficult Conversations with Niki Landau
DESCRIPTION:1:30pm-5pm\nFree with admission\nLimited capacity (Registration required)\nFor ages 14 and over\nFloor 4 \nRegister here \nNiki Landau\, both a theatre artist and alternative dispute resolution practitioner\, will facilitate conversations around disagreement through a series of exercises that help build useful skills such as self-awareness\, listening\, compassion\, and mutual understanding. \nRehearsing Disagreement  \nHiba Abdallah and Justin Langlois’s Rehearsing Disagreement is the first project in MOCA’s Art in Use series on MOCA’s Floor 4. The project is comprised of four participatory works that explore disagreement and conflict through the lens of art and within the structure of the museum. Inviting visitors to share their lived experiences\, the artists present the argument that co-existing in difference is a generative part of our civic responsibility. \nAs an extension to their project\, a weekend program features participatory activities\, talks\, and workshops that frame the question: how does disagreement play a useful role in our everyday? By identifying the positive effects of differences\, participants can develop the skill of agreeing to disagree. \n  \nBios \nNiki Landau is a mediator\, actor\, playwright\, and theatre producer. She teaches theatre arts at York University and Seneca College\, and is a Mediation and Communication Skills trainer who has worked with many individuals\, families and organizations to help improve skills\, relationships and group dynamics. She co­founded Theatre PANIK in 2005 and has taken part in the grassroots peacemaking initiative The Compassionate Listening Project. \nHiba Abdallah is a text-based artist who often works with others to develop public installations\, projects\, and exhibitions about the narratives of place. Abdallah’s work cultivates a playful yet reverent sense of community that seeks to foster collective public imagination. \nJustin Langlois is an artist\, organizer\, and currently an Associate Professor and Assistant Dean of Integrated Learning in the Faculty of Culture + Community at Emily Carr University of Art and Design. His practice explores collaborative structures\, critical pedagogy\, and custodial frameworks as tools for gathering\, learning\, and making. \n  \nRegister here\nA general admission ticket must be purchased in addition for entry into the event. You may purchase your ticket at the museum or online. \n  \nAccessibility: \nMOCA Toronto is a barrier-free and accessible museum for all. We are located on the first five floors of the Tower Automotive Building\, with elevators serving each floor. The museum has wheelchair and stroller parking as well as two walkers and wheelchairs available onsite for use. If you have other needs we should know about\, contact us at visitorexperience@mocalegacy.webpreview.site ahead of time to make any arrangements. \n \n\n  \nHiba Abdallah and Justin Langlois\, Striking a Balance – Rehearsing Disagreement Commission\, 2018. Museum of Contemporary Art Toronto Canada. Photo by Toni Hafkenscheid.\n 
URL:https://mocalegacy.webpreview.site/calendar/difficult-conversations-with-niki-landau/
LOCATION:MOCA Toronto\, 158 Sterling Rd.\, Toronto\, Canada
CATEGORIES:Community Event
ATTACH;FMTTYPE=image/jpeg:https://mocalegacy.webpreview.site/wp-content/uploads/HA_0094.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20181013T110000
DTEND;TZID=America/Toronto:20181014T110000
DTSTAMP:20260407T104336
CREATED:20181003T152741Z
LAST-MODIFIED:20181012T195323Z
UID:11900-1539428400-1539514800@mocalegacy.webpreview.site
SUMMARY:All the Headlines We Can't Agree With (Reading the Paper\, Together) Hiba Abdallah and Justin Langlois
DESCRIPTION:Saturday\, Oct. 13\, 11am-1pm\nSunday\, Oct. 14\, 11am-1pm\nAll ages welcome\nFree with admission (no registration required)\nFloor 4 \nHiba Abdallah and Justin Langlois welcome visitors to a collective newspaper reading activity. Visitors will work with the artists to scroll through current newspaper articles and highlighting headlines\, quotes\, and arguments they disagree with. The exercise will emphasise how points of disagreement with representations of the world around us can be a catalyst for meaningful conversations. \nRehearsing Disagreement \nHiba Abdallah and Justin Langlois’s Rehearsing Disagreement is the first project in MOCA’s Art in Use series on MOCA’s Floor 4. The project is comprised of four participatory works that explore disagreement and conflict through the lens of art and within the structure of the museum. Inviting visitors to share their lived experiences\, the artists present the argument that co-existing in difference is a generative part of our civic responsibility. \nAs an extension to their project a weekend program\, features participatory activities\, talks\, and workshops that frame the question: how does disagreement play a useful role in our everyday? By identifying the positive effects of differences\, participants can develop the skill of agreeing to disagree. \n  \n  \nBios  \nHiba Abdallah is a text-based artist who often works with others to develop public installations\, projects\, and exhibitions about the narratives of place. Abdallah’s work cultivates a playful yet reverent sense of community that seeks to foster collective public imagination. \nJustin Langlois is an artist\, organizer\, and currently an Associate Professor and Assistant Dean of Integrated Learning in the Faculty of Culture + Community at Emily Carr University of Art and Design. His practice explores collaborative structures\, critical pedagogy\, and custodial frameworks as tools for gathering\, learning\, and making. \n  \nAccessibility: \nMOCA Toronto is a barrier-free and accessible museum for all. We are located on the first five floors of the Tower Automotive Building\, with elevators serving each floor. The museum has wheelchair and stroller parking as well as two walkers and wheelchairs available onsite for use. If you have other needs we should know about\, contact us at visitorexperience@mocalegacy.webpreview.site ahead of time to make any arrangements. \n \n\n  \nHiba Abdallah and Justin Langlois\, But What Do You Really Think – Rehearsing Disagreement Commission\, 2018. Courtesy of Museum of Contemporary Art Toronto. Photo by Toni Hafkenscheid.
URL:https://mocalegacy.webpreview.site/calendar/all-the-headlines-we-cant-agree-with-reading-the-paper-together-hiba-abdallah-and-justin-langlois/
LOCATION:Ontario
CATEGORIES:Community Event
ATTACH;FMTTYPE=image/jpeg:https://mocalegacy.webpreview.site/wp-content/uploads/HA_0107.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20180929T190000
DTEND;TZID=America/Toronto:20180930T070000
DTSTAMP:20260407T104336
CREATED:20180925T165604Z
LAST-MODIFIED:20180927T161831Z
UID:11575-1538247600-1538290800@mocalegacy.webpreview.site
SUMMARY:DEMOS - A Reconstruction - Nuit Blanche at MOCA
DESCRIPTION:DEMOS – A Reconstruction\, 2018 \n74 vinyl-covered foam modules \nRelationships that are constantly negotiated in the age of the Internet are explored in three dimensions by Andreas Angelidakis’s DEMOS – A Reconstruction. \nThe work consists of 74 foam modules that have been arranged for Nuit Blanche into a fixed structure designed by the artist. This amphitheatre-like space can be used as seating from which to watch three videos that trace the story of Angelidakis’s first Soft Ruin that was produced in 2007 to his current installation at MOCA. \nWorks on show: \nTetris Mountain\, 2003 \nBuilding an Electronic Ruin\, 2011 \nMINERVA\, 2014 \nPlease note that for Nuit Blanche the installation of DEMOS – A Reconstruction is a fixed structure and the modules should not be moved. \n  \n“I started out as an architect\, working in online communities such as Active Worlds and Second Life. I was part of a collective called NEEN\, which in the early 2000s explored the new boundaries of Art Online\, or what we used to call “the emotional landscape of the Internet.” I built worlds for our group\, places where we could hang out as avatars and pretend to be together. I tried to understand what the architecture of the internet could be\, what kind of buildings would grab the fleeting attention span of the online human. \nA few years later\, I visited Second Life again\, and found some of my abandoned buildings\, looking as new as when I copy-pasted and re-coded modules to build them. I began to think of how I could make an electronic building age gracefully\, instead of just looking dated. I went back to Second Life\, and tried to teach a building how to become a ruin. \nSomewhere in the process\, I turned my electronic ruin into soft building parts\, upholstered with digitally printed textures. On these new ruins\, visitors could comfortably lie down to watch the story of my Soft (ware) Ruin.” \nExtract from text by Andreas Angelidakis \n\nLast entry time: 6:30 a.m. \n  \nAccessibility: \nMOCA Toronto is a barrier-free and accessible museum for all. We are located on the first five floors of the Tower Automotive Building\, with elevators serving each floor. The museum has wheelchair and stroller parking as well as two walkers and wheelchairs available onsite for use. If you have other needs we should know about\, contact us at visitorexperience@mocalegacy.webpreview.site ahead of time to make any arrangements. \nAndreas Angelidakis\, Installation View DEMOS – A Reconstruction\, 2018. Museum of Contemporary Art Toronto Canada. Photo by Toni Hafkenscheid.
URL:https://mocalegacy.webpreview.site/calendar/demos-a-reconstruction-nuit-blanche-at-moca/
LOCATION:MOCA Toronto\, 158 Sterling Rd.\, Toronto\, Canada
CATEGORIES:Community Event,Programming
ATTACH;FMTTYPE=image/jpeg:https://mocalegacy.webpreview.site/wp-content/uploads/HA_8721-web-demos.jpg
ORGANIZER;CN="MOCA%20Toronto":MAILTO:info@mocalegacy.webpreview.site
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20180922T100000
DTEND;TZID=America/Toronto:20180923T170000
DTSTAMP:20260407T104336
CREATED:20180815T212456Z
LAST-MODIFIED:20180922T205909Z
UID:11419-1537610400-1537722000@mocalegacy.webpreview.site
SUMMARY:International Grand Opening Weekend
DESCRIPTION:Official Ribbon Cutting Ceremony Saturday\, 10 am\nMuseum doors open at 11am \nLast entry at 4:30 pm \nJoin us for MOCA’s official public grand opening ceremony. Following the ribbon cutting ceremony\, we invite you to explore all five floors of the museum all weekend for free. Meet some of the artists and learn about their work. \nThis event is not ticketed and is all ages. Anticipate wait times. \n \nArtists in attendance (subject to change): \n\n\n\nHiba Abdallah\nAndreas Angelidakis\nMatilda Aslizadeh\nAdrian Blackwell\n\nJustin Langlois\nAnge Loft\nRajni Perera\nJeremy Shaw\nNep Sidhu\n\n\n\nGetting to MOCA\, 158 Sterling Road\, Toronto \n\nTransit: MOCA is easily accessible by TTC and we highly suggest this mode of transportation. We are located near Dundas West and Lansdowne Stations. You can reach us via the 505 Dundas and 506 Carlton.\nParking: There is very limited paid parking available across MOCA.\nBiking: We are located along the West Toronto Rail Path. There are limited bike rings for parking.\nRoad closures: Dundas St. and Lansdowne Ave. intersection is closed due to construction\n\nAccessibility: \nMOCA Toronto is a barrier-free and accessible museum for all. We are located on the first five floors of the Tower Automotive Building\, with elevators serving each floor. The museum has wheelchair and stroller parking as well as two walkers and wheelchairs available onsite for use. If you have other needs we should know about\, contact us at visitorexperience@mocalegacy.webpreview.site ahead of time to make any arrangements.\n \n  \nThis event has been financially assisted by the Ontario Cultural Attractions Fund of the Government of Ontario through the Ministry of Tourism\, Culture and Sport\, administered by the Ontario Cultural Attractions Fund Corporation \n \n#MOCAToronto \nKendell Geers\, BE:LIE:VE\, 2002. Neon. Courtesy the artist and Stephen Friedman Gallery.
URL:https://mocalegacy.webpreview.site/calendar/international-grand-opening-weekend/
LOCATION:MOCA Toronto\, 158 Sterling Rd.\, Toronto\, Canada
CATEGORIES:Exhibition Opening
ATTACH;FMTTYPE=image/jpeg:https://mocalegacy.webpreview.site/wp-content/uploads/Kendell-Geers-1.jpg
ORGANIZER;CN="MOCA%20Toronto":MAILTO:info@mocalegacy.webpreview.site
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20180921T190000
DTEND;TZID=America/Toronto:20180921T220000
DTSTAMP:20260407T104336
CREATED:20180815T212213Z
LAST-MODIFIED:20180919T230228Z
UID:11417-1537556400-1537567200@mocalegacy.webpreview.site
SUMMARY:Member Exclusive Preview - AT CAPACITY
DESCRIPTION:We open the doors to welcome MOCA Toronto members for an animated evening to explore and interact with programs on all five floors of the museum. \nWe are thrilled to announce an unprecedented response to this event and MOCA’s membership program. We cannot wait to welcome you all to our new home on Sterling Road. \nPlease note\, the Member Exclusive Preview is now at capacity.  \nMemberships can still be purchased\, but do not include a ticket to the preview. We encourage you to join us for MOCA’s official public grand opening ceremony on Saturday\, September 22 at 10 am. Following the ribbon cutting\, we invite you to explore all five floors of the museum\, meet some artists and learn about their work. \nExclusive member programming will take place year-round. We look forward to hosting our members at our next event. Learn more about the benefits of membership here. \nThis event is for ages 19 and over. Please have a copy of your ticket(s) at the event (printed or on your phone). \nPlan Your Visit\nMOCA\, 158 Sterling Road\, Toronto \n\nTransit: MOCA is easily accessible by TTC. We are located near Dundas West and Lansdowne Stations. You can reach us via the 505 Dundas and 506 Carlton.\nParking: There is very limited paid parking available across MOCA.\nRoad closures: Dundas St. and Lansdowne Ave. intersection is closed due to construction\n\n \nMatilda Aslizadeh\, Resort\, 2016. HD video\, 26:40 minutes. 3-channel video\, audio\, and mixed media installation\, dimensions variable. Image Credit: Matilda Aslizadeh. Courtesy the artist and Pari Nadimi Gallery.
URL:https://mocalegacy.webpreview.site/calendar/exclusive-preview/
LOCATION:MOCA Toronto\, 158 Sterling Rd.\, Toronto\, Canada
CATEGORIES:Member's Event
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ORGANIZER;CN="MOCA%20Toronto":MAILTO:info@mocalegacy.webpreview.site
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20180526T120000
DTEND;TZID=America/Toronto:20180527T170000
DTSTAMP:20260407T104336
CREATED:20180522T220312Z
LAST-MODIFIED:20180523T182152Z
UID:11077-1527336000-1527440400@mocalegacy.webpreview.site
SUMMARY:Sneak Preview Weekend: Doors Open Toronto
DESCRIPTION:MOCA’s new home in the Junction Triangle will truly define what we believe is the role of the 21st century museum: to be first and foremost a welcoming\, accessible\, and relevant space. \nWe are inviting the public for a sneak preview weekend\, May 26-27\, 2018 for Doors Open Toronto. \nSaturday\, May 26\, 12pm – 5pm (last entry at 4:30pm) \nSunday\, May 27\, 12pm – 5pm (last entry at 4:30pm) \nAccessibility Notes: Due to ongoing construction\, MOCA is not currently accessible by mobility aid devices. Visitors will need to climb 1 step from the street into a stairwell\, and an additional 32 of steps/stairs to access an elevator on the second floor. \nDirections \n 
URL:https://mocalegacy.webpreview.site/calendar/sneak-preview-weekend-doors-open-toronto/
LOCATION:MOCA Toronto\, 158 Sterling Rd.\, Toronto\, Canada
CATEGORIES:Community Event
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ORGANIZER;CN="MOCA%20Toronto":MAILTO:info@mocalegacy.webpreview.site
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20180314T190000
DTEND;TZID=America/Toronto:20180314T210000
DTSTAMP:20260407T104336
CREATED:20180226T133114Z
LAST-MODIFIED:20180226T133138Z
UID:10928-1521054000-1521061200@mocalegacy.webpreview.site
SUMMARY:Jo SiMalaya Alcampo: Singing Plants
DESCRIPTION:Artist Jo SiMalaya Alcampo will introduce us to the Singing Plants – keepers of indigenous knowledges\, stories and memory. These banana plants respond to human touch with songs – the Hudhud chant of the Ifugao people – and sounds of bamboo instruments and gongs indigenous to the Philippines. \nThis interactive installation explores our interconnectedness with the land\, the need to protect intangible cultural heritage\, and honour ancestor spirits. \nJoin us for a participatory jam session with singing plants and indigenous instruments. In closing\, we will share suman\, a steamed glutinous rice cake cooked in coconut milk and wrapped in banana leaves. \nJo SiMalaya Alcamp: Singing Plants\nThe Art of Propagation performative speaker series\nWednesday\, March 14\, 7 – 9 pm\nHenderson Brewery\, 128A Sterling Rd.\nRSVP for free admission \nThe Art of Propagation\nThe Art of Propagation performative speaker series aims to broaden perspectives on art and culture through acts\, thinking and projects of cultivation\, fermentation and propagation. Talks will take place every second Wednesday of the month at Henderson Brewery until March 2018. \nJo Simalaya Alcampo\nJo SiMalaya Alcampo is an interdisciplinary artist who integrates community storytelling and electroacoustic soundscapes. Jo makes comics with Kwentong Bayan Collective\, bridges the Indigenous and Diasporic with Kapwa Collective\, and is writing a magical realist play with Cahoots Theatre. Jo has developed technology that allows people to hear plants sing. \nHenderson Brewing Co.\n128A Sterling Rd\nHenderson Brewing company is a locally owned\, award winning\, neighbourhood brewery in downtown Toronto. Founded in 2014\, Henderson is all about celebrating the stories and culture of our city through the beers we brew.
URL:https://mocalegacy.webpreview.site/calendar/jo-simalaya-alcampo/
LOCATION:Henderson Brewery\, 128A Sterling Rd\, Toronto\, Ontario\, Canada
CATEGORIES:Programming
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20180222T183000
DTEND;TZID=America/Toronto:20180222T203000
DTSTAMP:20260407T104336
CREATED:20180207T193208Z
LAST-MODIFIED:20180208T215040Z
UID:10852-1519324200-1519331400@mocalegacy.webpreview.site
SUMMARY:Stephen Wright: Getting Used to Usership
DESCRIPTION:Stephen Wright: Getting Used to Usership\nThe Museum Is Not What It Used To Be speaker series\nThursday\, February 22\, 6:30 – 8:30 pm\nThe Commons at 401 Richmond \nRSVP for free admission \n  \nThe program of talks\, The Museum Is Not What It Used To Be\, invites arts professionals to share their thoughts on how to create a museum model that answers to the pressures of our extreme present\, but at the same time establishes a meaningful and enduring agenda. \nThe third speaker in the series\, Stephen Wright\, is a Canadian\, Paris-based writer and co-director of the PhD-level artistic research program “Document & contemporary art” at the European School of Visual Art (ÉESI). His talk\, Getting Used to Usership\, will explore his research over the past decade examining the ongoing usological turn in art-related practice\, focusing on the shift from modernist categories of autonomy to an art on the 1:1 scale\, premised on usership rather than spectatorship. He is the author of “Toward a Lexicon of Usership“\, is currently preparing a book on the “Politics of Usership” and a companion volume\, “Not\, Not Art.” \n“The Museum Is Not What It Used To Be\, that’s for sure\, but what did it “used to be”? And what does that odd verbal construction even mean? Since its inception some two centuries ago\, the Museum’s task has been to showcase the specificity of art\, often warehousing exemplary instances for periodic display. Art’s specificity outside the realm of use was instituted as the cornerstone of the museum’s conceptual architecture. But over the past two decades\, with the deactivation of art’s aesthetic function\, a patent dissatisfaction with so-called autonomous art\, and a quest for greater traction amongst practitioners\, it is art’s compatibility with other social processes that has come to replace specificity as art’s operative horizon. Today museums — or at least those that care about keeping step with art’s evolving modus operandi — find themselves repurposing what they are “used to” as they experiment with this compatibility and make way for its usership. Still\, is there some link between the proscription of use and what the museum “used to be”? There is a line in Shakespeare’s Twelfth Night\, “How use doth breed a habit in man!”\, which seems to point to a gradual slippage from one use\, to common use\, to custom\, to habit. Today\, breaking the modernist museum’s habits (not bad habits\, merely ill adapted to the challenges of the present) requires reverse engineering that trajectory toward new modes of common use.” – Stephen Wright
URL:https://mocalegacy.webpreview.site/calendar/stephen-wright/
LOCATION:Ontario
CATEGORIES:Programming
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END:VCALENDAR